{"id":2758,"date":"2013-08-08T11:10:21","date_gmt":"2013-08-08T11:10:21","guid":{"rendered":"http:\/\/everycodextellsastory.eu\/?p=2758"},"modified":"2013-08-19T12:38:57","modified_gmt":"2013-08-19T12:38:57","slug":"patrons-of-the-arts","status":"publish","type":"post","link":"https:\/\/everycodextellsastory.eu\/?p=2758","title":{"rendered":"Patrons of the arts"},"content":{"rendered":"<p>Throughout the Middle Ages, wealthy and powerful patrons commissioned the creation of literary works. Without alternative sources of income &#8211; such as stipends or artists&#8217; pensions &#8211; most poets were rarely rich enough to\u00a0survive without the support of a benefactor.<\/p>\n<p>However, the connection between an artist and his <em>Maecenas<\/em>\u00a0(a patron of literature or art) was not simply one-way. Their relationship could even be described as symbiotic.<\/p>\n<p>Poets rarely missed the opportunity to acknowledge their patron&#8217;s support. Indeed, why would you wish to bite the hand that feeds you?!\u00a0This acknowledgement frequently took the form of\u00a0lengthy passages in praise\u00a0of their benefactor&#8217;s virtues at the beginning or end of their text.<\/p>\n<p>As a consequence, patrons had a keen interest to promote artists. In a world without mass media or other means of advertisement, a poet&#8217;s praise was invaluable to a sovereign or ambitious aristocrat. Hence, the list of patrons mentioned in literary works is long (take a glimpse at this\u00a0<a href=\"http:\/\/www.arlima.net\/commdedic.html\" target=\"_blank\">index of patrons\u00a0and dedicatees associated with a range of medieval texts<\/a>\u00a0[in French]).<\/p>\n<div id=\"attachment_2775\" style=\"width: 303px\" class=\"wp-caption alignright\"><a href=\"http:\/\/everycodextellsastory.eu\/wp-content\/uploads\/2013\/08\/Cpg848-030r.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2775\" class=\" wp-image-2775 \" alt=\"Cpg848-030r\" src=\"http:\/\/everycodextellsastory.eu\/wp-content\/uploads\/2013\/08\/Cpg848-030r.jpg\" width=\"293\" height=\"468\" srcset=\"https:\/\/everycodextellsastory.eu\/wp-content\/uploads\/2013\/08\/Cpg848-030r.jpg 583w, https:\/\/everycodextellsastory.eu\/wp-content\/uploads\/2013\/08\/Cpg848-030r-188x300.jpg 188w\" sizes=\"(max-width: 293px) 100vw, 293px\" \/><\/a><p id=\"caption-attachment-2775\" class=\"wp-caption-text\">Author portrait of Heinrich von Veldeke.<br \/>Heidelberg, UB, Cpg 848 (1300\u20131340), f. 30r.<br \/>Roproduction by courtesy of UB Heidelberg, http:\/\/digi.ub.uni-heidelberg.de\/diglit\/cpg848\/0055<\/p><\/div>\n<p>There is a very famous example of the importance of patronage in the Middle Ages, which simultaneously represents an intriguing\u00a0medieval tale of theft! Twelfth-century German poet Heinrich von Veldeke informs us of this anecdote at the end of his &#8216;Eneasroman&#8217; (&#8216;Romance of Aeneas&#8217;). By 1174, Heinrich had been working on the romance for a considerable amount of time and had completed about 80% of it. Around this time, he attended the wedding of Countess Margarete and Landgrave Ludwig von Thuringia. The Countess (who was probably Heinrich&#8217;s patroness)\u00a0was in possession of the\u00a0original manuscript when it was stolen. The book\u00a0was eventually returned to Heinrich nine years later by Hermann von Thuringia, who had\u00a0somehow acquired the codex. Consequently, Hermann became his new patron and Heinrich was finally able to complete the romance. The poet&#8217;s two patrons thus played a role in\u00a0the theft, recovery and completion of the romance.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Throughout the Middle Ages, wealthy and powerful patrons commissioned the creation of literary works. Without alternative sources of income &#8211; such as stipends or artists&#8217; pensions &#8211; most poets were rarely rich enough to\u00a0survive without the support of a benefactor. &hellip; <a href=\"https:\/\/everycodextellsastory.eu\/?p=2758\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"_links":{"self":[{"href":"https:\/\/everycodextellsastory.eu\/index.php?rest_route=\/wp\/v2\/posts\/2758"}],"collection":[{"href":"https:\/\/everycodextellsastory.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/everycodextellsastory.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/everycodextellsastory.eu\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/everycodextellsastory.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2758"}],"version-history":[{"count":63,"href":"https:\/\/everycodextellsastory.eu\/index.php?rest_route=\/wp\/v2\/posts\/2758\/revisions"}],"predecessor-version":[{"id":2875,"href":"https:\/\/everycodextellsastory.eu\/index.php?rest_route=\/wp\/v2\/posts\/2758\/revisions\/2875"}],"wp:attachment":[{"href":"https:\/\/everycodextellsastory.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/everycodextellsastory.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/everycodextellsastory.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}